Book details
A little reading. A little wonder.
FutilityFutility
Andrei Andreiech, a young Russian-English man, finds himself in the company of the three lovely daughters of the Bursanov family. Their father, Nikolai Vasilievich, is a man of potential means, but besides a large house most of his wealth is tied up in a series of non-productive Siberian goldmines. Still, the possibility of future income is enough to keep him afloat, along with his daughters, his lover, his ex-wife, and a whole series of extended family members and hangers-on. Both Nikolai and his retinue seem locked into a holding pattern, their lives unable to progress without some inflection point that never seems to arrive. Futility is William Gerhardie’s first novel, published while he was attending Oxford after a stint in the British army. Like his protagonist, he was born and raised in Russia, then joined the English army as an officer, but he was careful to note that “the ‘I’ of this book is not me.” The book was critically acclaimed: both Evelyn Waugh and H. G. Wells championed him, and Edith Wharton wrote a preface for this edition. It has been cited as one of the earliest appearances of a theme that would become recurrent in twentieth century literature: that of “waiting” (a theme made most famous in Beckett’s Waiting for Godot).
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A way into this story.
Andrei Andreiech, a young Russian-English man, finds himself in the company of the three lovely daughters of the Bursanov family. Their father, Nikolai Vasilievich, is a man of potential means, but besides a large house most of his wealth is tied up in a series of non-productive Siberian goldmines. Still, the possibility of future income is enough to keep him afloat, along with his daughters, his lover, his ex-wife, and a whole series of extended family members and hangers-on. Both Nikolai and his retinue seem locked into a holding pattern, their lives unable to progress without some inflection point that never seems to arrive. Futility is William Gerhardie’s first novel, published while he was attending Oxford after a stint in the British army. Like his protagonist, he was born and raised in Russia, then joined the English army as an officer, but he was careful to note that “the ‘I’ of this book is not me.” The book was critically acclaimed: both Evelyn Waugh and H. G. Wells championed him, and Edith Wharton wrote a preface for this edition. It has been cited as one of the earliest appearances of a theme that would become recurrent in twentieth century literature: that of “waiting” (a theme made most famous in Beckett’s Waiting for Godot).
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